الصفحات
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26 سبتمبر 2014
"Loss of Racial Pride"
his propaganda slide depicts friendship between an
Aryan woman and a black woman as a loss of racial pride. The caption says:
"The experience/Racial pride fades." Germany, ca. 1933-1939
USHMM, courtesy of Marion Davy
German Pavilion 1937
Albert Speer
Architecture in Nazi
Germany
Fascist architecture
in Germany
Reichsminister
Albert Speer
الحسناوات المقاتلات
13 سبتمبر 2014
EAGLE HUNTER
طرقتْ على خطر السرى المركوبِ والليلُ بين شبيبة ومشيبِ
In western Mongolia, an ancient tradition of hunting with Golden Eagles is still alive. We
know from history that Genghis Khan had 1,000 hunting birds - eagles, falcons
and gyrfalcons - and so did Kubla Khan.
Society of the Spectacle 1973
مجتمع الفرجه أو المشهد-الغرب ودبي اليوم تمثل الحالة الحقيقية للمواطنين في
مجتمع الفرجة في واقع خرسانة الاغتراب كما تدارالجماعية في ظل ظروف رأسمالية متوترة
وقلق . "أبدا بما فيه الكفاية" الشعار الذي رفعته دبي والغرب والنتيجة تسليع
المجتمع برمته من الأخلاق
The Spectacle is a social relation of false
consciousness mediated by images
Extreme
Guy Debord
The citizen consumes to survive, Therefore, a survival
principle based around the fear of scarcity propels consumption and production.
This ensures the all important creation of surplus value. The principle of the
Spectacle is one of ‘never enough’. The result is a massive excess of
unnecessary commodification in the name of protecting the society of the
Spectacle from the horrors of scarcity. Production and consumption equals
capital and capital is the universal abstraction of the Spectacle. The Spectacle
is the capability of the society as a whole (as the total abstraction of the
possible). Capital = image = Spectacle =
money as universal equivalent = the possible.