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وقالي
For the dream sequence (which may be entirely
rewritten). The last shot from a close-up of Alexander bundled up in something
(a coat?) to a long shot: the field, the grass, an extraordinary pearly light.
The far reaches of the horizon and the sky dissolving into the mist. It turns
out Alexander is on a cart on which a woman is sitting (with her back turned)
dressed in white and driving him away toward the horizon. Crane. A long shot.
Perhaps the only colour shot in the film. First a close-up of Alexander then a
pan across the ruins where objects he knew have burnt, or their remnants to be
exact, then the cart, etc.
andrei-tarkovsky
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